This week, things get grim with Oliver Stone’s 1989 anti-war biopic Born on the Fourth of July. Is Stone on the side of the angels? How does political criticism work in a film about a real person’s life? Has Willem Dafoe ever been less enjoyable?
Content warning: graphic violence, medical trauma, militarism, disability, sex work and sex workers, religious iconography and language, riots and civil disobedience
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Unanswered Questions:
- Do Oliver Stone’s personal politics help or hinder the narrative of the film?
- Is it acceptable to fabricate real-life events in the service of a political point?
- How do we feel about the treatment of race in this film?
Further reading:
- Born of the Fourth of July
- The Sad Decline of Oliver Stone
- Meryl Streep and Martin Scorsese on Woman’s Language
- The Last Star In Hollywood Definitive List Of Tom Cruise Films
- The Last Star In Hollywood: Production Schedule
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Join us next time as we begin the 1990s with a return to Scott, Bruckheimer and Simpson — and introduce Nicole Kidman — with Days of Thunder!
The Last Star In Hollywood is an independent podcast produced by Elizabeth Rae and Alastair Stephens.
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